Quick quiz:

The following quote from the NBC WorldBlog:

“Whenever I get back to New York, I’m in middle earth, and when I’m in Europe I feel like I’m in a museum. And here it feels like the right pulse of time.”

Question: where’s the “here” here?

对了。Its Beijing. Granted, the year is 2009, when the Beijing Olympics were still bouncing about the echo chambers of very recent memory banks. I’m often given to wondering since about how Beijing/New York (or Paris or…) is doing in that comparison. Recent reports like this one in Chinarealtimereport, suggest that its not going so well, at least if we take Beijing 798 as something of a center of potential for cultural development. That phrase is at least 1/2 in effect, which is to say the Chinese government is about to “develop” another 50 billion yuan into 798, a place not want for capital investment, as far as I can tell. What it has been lacking in many people’s estimate in recent years is something genuine amidst the rapidly spreading shlock of unscrupulous consumerism. Indeed, a development from consumerism with scruples to the worst of the laissez faire (which is to say massively engineered top down extravaganza that this bit of “cultural” investment appears to be) is precisely what will destroy the “cultural” part of the comparison with New York or any other vibrant urban center the world over.

This development (in able hands of Melco International Development Ltd) has generated more controversy than usual, however, partly because consciousness of the use of resources both financial and natural (water) has risen considerably, and China’s burgeoning internet community–which so far China’s government has not figured out how to ‘develop’ –is very apt at expressing that consciousness in microblogs. Not to say that the push-back will necessarily stop to project. Chances are it won’t. But we could be optimistic and believe that developers and officials alike will finds ways to be guided by wisdom found in voluminous weibo postings.

Its also a moment when I for one would like to pause and note the importance of the voice of Ai Weiwei, of whose antics I’m occasionally critical, but whose basic critique of Chinese government policy where culture is concerned is more or less spot-on. We could perhaps take the positive view that Ai and others will become more central to decision making in the cultural sphere going forward. At the moment, I can’t quite be that positive.