Zhang Jianjun 张健君
from Mindmap Exhibition, curated by Gao Minglu
Another exhibition of contemporary Chinese abstract art, this one at Pearl Lam in Hong Kong. The historical time frame provided in title (80s to the present) seems a more standard fixture of literature about Chinese abstract art, but Gao Minglu’s brief description on the website intriguingly suggests that the last 10 years have seen the substantive development (thus change) in abstract art in China. I’ll be following this exhibition to see what Gao suggests accounts for these changes.
Also, and not to pick on what looks an exciting exhibition, but what’s up with the name? The Pearl Lam website has Mindmap, but I find Mindspace elsewhere, as in Depauw advert below. *Anything goes* with “mind” ?MIND SPACE: MAXIMALISM IN CONTRASTS SEPTEMBER 7 – DECEMBER 7, 2012 This exhibition of mixed media installations portrays a new realm of artistic expression. Mind Space introduces 4 Chinese abstract artists who convey the concept of “Maximalism” to a global audience. Maximalism is a term coined by curator Dr. Gao Minglu, one of the world’s leading scholars of Chinese contemporary art. Maximalism expresses the meditative mind of the abstract artist during the creation process, emphasizing the spiritual experience of art-making. The creations of Zhu Jinshi, Zhang Yu, Lei Hong, and He Xiangyu are a dialogue between artist and nature, an inventive response to a rapidly changed material world.
Scroll Fingerprint, 2008
Ink on Xuan paper
Courtesy of Pearl Lam Galleries, Shanghai, China