Ai charged with “economic crimes,” Wu Yuren released

Wu Yuren has been released, after nearly one year in prison, and roughly at the moment that Ai was incarcerated.  Since then, Ai has been formally charged with “economic crimes” and the establishment art media in the United States has been circulating a petition (with, at last check, over 7,000 signatories) for his release. Petition content:

On April 3, internationally acclaimed Chinese artist Ai Weiwei was detained at the Beijing airport while en route to Hong Kong, and his papers and computers were seized from his studio compound.

We members of the international arts community express our concern for Ai’s freedom and disappointment in China’s reluctance to live up to its promise to nurture creativity and independent thought, the keys to “soft power” and cultural influence.

Our institutions have some of the largest online museum communities in the world. We have launched this online petition to our collective millions of Facebook fans and Twitter followers.  By using Ai Weiwei’s favored medium of “social sculpture,” we hope to hasten the release of our visionary friend.

Richard Armstrong, Director, Solomon R. Guggenheim Museum and Foundation and Alexandra Munroe, Samsung Senior Curator, Asian Art

Michael Govan, Director, Los Angeles County Museum of Art

Kaywin Feldman, President, Association of Art Museum Directors and Director and President, Minneapolis Institute of Arts

Glenn Lowry, Director, The Museum of Modern Art, New York

Yongwoo Lee, President, The Gwangju Biennale Foundation

Vishakha Desai, President and Melissa Chiu, Vice President of Global Arts, Asia Society

Sir Nicholas Serota, Director, Tate and Chris Dercon, Director, Tate Modern

前言

享誉国际的艺术家艾未未于四月三日于北京国际机场,在乘机前往香港时遭受扣押。他位于北京住所的文件及电脑也遭查封。

我们身为国际艺术组织的成员,在此表达对艾未未的人身自由之强烈忧虑。同时,我们对于中国政府未能实现其对于培植创造力及自由思考─这些作为”软实力”及文化影响力的根本要件之承诺,感到十分失望。

我们的机构拥有全世界最大的博物馆线上社群。我们已经在网上发起请愿活动,将串联起在Facebook(脸书)及Twitter(推特)上的百万追随者。我们期望藉由艾未未深信能够实现”社会雕塑”的媒体-网络,来达成对释放这位拥有美好远景的艺术家及朋友之请求。

Richard Armstrong  古根汉姆美术馆 馆长

Alexandra Munroe   古根汉姆美术馆 资深策展人

Michael Govan 洛杉矶美术馆 馆长

Kaywin Feldman 美国博物馆协会暨明尼阿波利斯美术馆 总裁

Glenn Lowry 纽约当代美术馆 馆长

Yongwoo Lee 光州双年展基金会 总裁

Vishakha Desai 亚洲协会  总裁

Melissa Chiu 亚洲协会 全球艺术项目 副总裁

Sir Nicholas Serota 泰德美术馆  馆长

The effect of such a petition, particularly if it is signed by a large number of individuals, will be to make Ai the figurehead, one man facing off with the central government, the type of narrative which excites (Western) global media.  Meanwhile, there are suggestions that such excitement may well be counter-productive.  Lucas Klein, of the City University of Hong Kong, makes some important observations (on MCLC listserve) with regard to Ai’s arrest:

Actually, I think China does have oil. But perhaps not enough of it to

matter.

More to the point (that is, would sanctions actually seed change?), given

that Western corporations would agree to the heightened labor costs and

closed market that would result in pulling out from China (which they

wouldn’t, obviously), the PRC government has been very good at spinning any

criticism of its policies as Western imperialist attacks on an essential

Chineseness. No doubt some in the West are motivated by a desire to keep

China down and white people up, but usually they’re not the ones advocating

for more personal and social freedoms or less inequality, for anyone. At any

rate, we seem to be at a historical impasse where “engagement” gives the

current Chinese government legitimacy, but sanctions would give it

legitimacy, too.

However, I heard that Ai Weiwei had complained about foreign reporters

always looking to him as a symbol of resistance or criticism. The more they

focused on him, he seemed to be saying, the more they enabled the government

to see opposition to the government as an individual, rather than group,

issue–and now he pays the price for it (an “economic crime” of its own, I

suppose). Assuming he did say such a thing, I think he’s got to be right:

the US press, at least, seems to have a vested interest in individualism

(consider “Tank Man,” and consider that the west has not learned the lesson

that, no matter how brave or noble, an individual alone cannot stop an

army), but in making anyone an individual hero, they also reduce the

possibilities for collective action.

Lucas

Lucas has got a point.